Welcome to my website.
I am a glass artist with a small workshop based on the Weaver Industrial Estate in Garston, Liverpool, UK.
I create glass in all variations and love sharing the fascination for the material itself.
'Glass comes to life when light shines through it’
I offer courses, presentations and talks about glass as well as memorial glass art.
https://linktr.ee/kueblersteph
If you are interested in a glassblowing taster experience
please follow this link to airbnb uk
https://www.airbnb.co.uk/experiences/884697
Or if there aren’t any suitable dates please contact me to arrange a workshop via email.
I offer to email a voucher if you want to book it as a present for another person or group.
I am offering a workshop session to learn the process of creating a coloured borosilicate glass pendant art work.
This is a workshop session for maximum 3 people and last 3 to 3.5 hours with a few breaks.
Not suitable for children under 10 years of age.
Under 18's need to be with a fully paying adult each.
I also create memorial glass with ashes of loved ones.
Please follow this link http://www.memorialglassart.co.uk
Here is a link to my instagram and facebook accounts to see more of my work.
https://www.instagram.com/mersey_glass_works
'Who when he first saw the sand and ashes by a casual intenseness of heat melted into metalline form, rugged with excrescences and clouded with impurities, would have imagined that in this shapeless lump lay concealed so many conveniences of life as would, in time, constitute a great part of happiness in the world. Yet by some such fortuitous liquefaction was mankind taught to procure a body at once in a high degree solid and transparent; which might admit the light of the sun, and exclude the violence of the wind; which might extend the sight of the philosopher to new ranges of existence, and charm him at one time with the unbounded extend of material creation, and at another with endless subordination of animal life, and, what is of yet more importance, might supply the decays of nature, and succour old age with subsidiary sight. Thus was the artificer in glass employed though without his knowledge or expectation. He was facilitating and prolonging the enjoyment of light, enlarging the avenue of science, and conferring the highest and most lasting pleasures; he was enabling the student to contemplate nature, and the beauty to behold herself.' Samuel Johnson, 1750